Seasons of Inspiration

Tornado Warning

Image by RaGardner4 via Flickr

Here in Indiana, weather is…unpredictable.  The calendar may say that we are firmly in the spring season, but nature has its own ideas.

Last week, I…

…hid in the basement during a tornado warning.

…took pictures of hail pelting my car.

…pulled on my fuzzy boots because it snowed. Again.

…woke up in the middle of the night as a thunderstorm rolled in and I thought a tree crashed through my roof. (That’s happened before.  Twice.  So, you can understand my paranoia.)

…basked in beautiful sunshine as I ate my lunch outside, to the delight of my sun-starved skin.

It’s both awe-inspiring and humbling to see the influence that nature has on us and how we in turn, respond to it.

I have been working on a couple of Works In Progress now, which isn’t as confusing as it seems since they’re so different and are at different stages.  My first WIP is in a revision stage, and honestly, I plan to focus on it more this month than my second WIP, which is only in the rough draft stage.  So even though first WIP gets more of my structured writing time, I still let my muses play with second WIP during random times like driving to work or while my store is empty.  That’s the beauty of a rough draft: unbridled creativity and imagination.

My first WIP, I started writing in the fall during NaNoWriMo.  It’s dark and disjointed and looking back, probably reflected the madcap emotional turbulence of both NaNoWriMo and working through two retail jobs during the holiday season.   My second WIP was born on a bitter morning, the bleak winter landscape a perfect setting for a character filled with the helplessness, anger, and resentment that biting, sub-zero temperatures can create.

This week,though, something odd happened as I drove to work.  Well, two things really.  First, because of extremely gusty winds (I’m talking blow-you-into-the-next-lane-without-warning gusts), I ended up driving 5-10 miles under the speed limit.  (No comment on my normal driving speed.)  Second, I realized that I was dreaming up words for another WIP.

Now, this bout of inspiration didn’t just happen.  The WIP my muses brought to mind is one that I’ve had in the back burner for basically my whole life, but I have never dared to capture it in words.  My current WIPs were born out of fun ideas that I followed to their inevitable conclusions.  They are exercises in my mental stamina and discipline to finish a task. This other WIP, though…it’s different.

This WIP (which for clarity we’ll call third WIP) matters the most to me because it encompasses all of my unspoken fears, hopes, loves, dreams.  It’s basically a straight window into my soul.  As such, even thinking about it both inspires me and intimidates me.  I’m too emotionally invested in it, which is why I never felt like I can write it the way it needs to be written.  The way it deserves to be written.  So, I’ve gotten used to just ignoring it.

But then, the wind whipped just right and I imagined a curling wave.  The humidity and warmth reached a specific threshold and I delighted in memories of tropical sun showers.  My cautious wariness of other cars brought to mind the winding road to Hana (on Maui).

Now, I can’t help but wonder: should I follow my muses into this third WIP?

SO TELL ME: I know writers find inspiration everywhere, but do YOU have seasonal “moods” when it comes to your WIP? Do YOU find yourself reading a book or genre during specific times of year because it “felt” more like summer or winter?

I Go Without

“Starve”

Henry Rollins

“I stay out late
I go long
I lose sleep
I go without
I go long
I go all night, go all night
I make the colors go
I push my senses out

I keep my existence lean
I starve.”

For the past two weeks, I could have authored “Starve.”  I’ve had to cover for a sick co-worker, and so have only had one full day off for the past fourteen days.  It’s been hard to accomplish the things that I’ve wanted to do (write, read, sleep) when I barely had time to do the things I needed to do (pay the bills, train, eat).

But, since this is the Year of No Excuses, I channeled my focus away from those things that I can’t control toward things that I can.  So, even though I haven’t had much time to sleep (let alone blog), I still kept my priorities: I added to my WIP (Scrapped) everyday, even if it was just a line or two.  And, I read a few books.

Ever since I wrote my guest post for Sierra’s Writing Adventure, the words “Your time is limited…” has been weighing heavily on me, a reminder to focus on my goal (become a published novelist), and those things that would lead me to my goal.  So, even though reading and writing don’t seem like lofty goals, when time is even more limited than usual, I sometimes had to choose between reading or writing or a full night’s sleep.  I had to strip “life” down to the bare essentials and focus on what will set me up for success in the future.  Since I want to be a published novelist, the essentials became: write a lot and read a lot.  Everything else was secondary.

SO TELL ME: What have YOU sacrificed to get you to your goal?

10,000 Hours

Outliers (book)

Image via Wikipedia

“In study after study, of composers, basketball players, fiction writers, ice-skaters, concert pianists, chess players, master criminals, this number comes up again and again. Ten thousand hours is equivalent to roughly three hours a day, or 20 hours a week, of practice over 10 years… No one has yet found a case in which true world-class expertise was accomplished in less time.

~Daniel Levitin, as qtd by Malcolm Gladwell, Outliers: The Story of Success

Since I started becoming serious about my writing goals, I’ve allowed myself to experiment and play, knowing that I have many more hours of work ahead of me before I will ever feel comfortable bearing the label “writer.”  So far, I’ve learned to prioritize my time and focus on my goal (which in my case was to write a novel).  I’ve learned to turn off my internal editor and push through obstacles, like feelings of inadequacy, to finish a novel no matter what (thanks, mostly to NaNoWriMo).  And, I learned that Stephen King’s rule of “write first with the door closed…” definitely applied to me.  I needed to play with my ideas alone so that I can hope, dream, and fear without self-consciousness (read: embarrassment).

My favorite A-ha! moment, though, actually came from unlearning a habit.  Let me explain.

If you’ve read my “About” section, you’ll know that I majored in English in college.  My favorite classes were those in literary theory, and to this day, I can’t read any text without thinking about it from post-colonial, deconstructionist, Marxist, feminist perspectives (my favorites!).  Criticizing and analyzing texts became instinctive to me, which is great when I had to churn out 20-30+ page papers or critique a writing partner’s work.  Not so much when I have to write primary text, and my brain is full of meta text and distancing language.

It took me a long time to refrain from or cut out all the non story that I was prone to writing (back story, character studies, culture studies, whatever) before I was able to write real text, like narrative and dialogue…basically a story that a reader can expect from a novel.  It was a hard shift in my mindset since my primary instinct was to dissect, and not create.  But, with each new novel attempt and failure, I have slowly progressed from being a writer about books to becoming a writer of books.

I’ve begun to develop and trust my instincts for creating worlds. I’m still a sketcher and I’ll always need a big picture goal for direction. But, I will write a scene with more polish and depth than I’ve done previously, and allow my subconscious to play with the “next steps” as I’m exploring the current scene. I’m letting myself focus on the quality of my words rather than merely the quantity of words (though I will keep my word count goals, since I’m still goal-oriented).  Even if it kills me, I will not leave a scene until it makes sense.  My goal for this next story is to finish with a first draft and not a rough draft.  (Some people think they’re the same thing; for me, my rough and first draft are definitely different.)  I’ll always go for the big picture because it’s heartening to see the page count progress.  But in exploring the depth, rather than breadth, I’ll see more of a world than I previously anticipated.  At least, that’s the hope.

Random Note:

I intended to post this last week (January 25, in fact) but I thought it was too silly to post (and I was kinda distracted by Veronica Mars, season 2).  I mean, really, what value can come from posting my infinitesimal progress toward my writing goals?

But, today, I saw the #followreader chat on Twitter, featuring Margaret Atwood, one of my literary heroes.  I decided to ask her this question…

http://twitter.com/#!/LizaKane/status/33273297638662144

…and she answered with this…

http://twitter.com/#!/MargaretAtwood/status/33273683296395265

http://twitter.com/#!/MargaretAtwood/status/33273959608745984

(By the way, how cool is it that I was able to ask her a question and have it answered immediately??)

Turns out, I just need to keep reminding myself that the only way for me to get better as a writer (and teller of stories) is to continue writing.  And the best way for me to continue writing is to celebrate the progress that I’ve made so far, regardless of how small that progress may be.  I plan to keep churning out crappy words, so that one day, I’ll be able to find better words with which to capture my stories.

A Re-Post of “Semper Fi (In Other Words: Have Some Heart, Rebecca)” by Rebecca Rasmussen

Semper Fi (In Other Words: Have Some Heart, Rebecca)

By Rebecca Rasmussen

The first time I walked off the course and back to the starting line I felt justified in my choice to quit. I was in terrible pain. I had lost my breath. I had cramps in my legs, in my heart. Girls were passing me on all sides. Their ponytails were swishing right out of my view. So here’s what I did: I simply walked back to the place I’d started.

The year was 1992, and I was a freshman in high school, thirteen years old. I had a shaky relationship with just about everyone in my family, though I remember my mother coming to this cross-country meet, my first. I remember she wore my dad’s boxy old yellow windbreaker, which I took from his closet the last time I visited him and my stepmom in Spring Green, Wisconsin, though I don’t remember why.

“You’ll do better next time,” my mother said, when she saw me near the starting line.

I’ll tell you this: a part of me wanted to get in the car with her. To stop and pick up pizza at Malnati’s on the way home. To rent a funny movie and eat sour cherry candies. To forget about cross-country and move on to field hockey or dance. Or chess even.

But I’ll also tell you this: an even bigger part of me wanted something else entirely, something I couldn’t put a name to, but knew as a secret deep in my heart. And that’s what I got—exactly what I wanted—that early Saturday morning in September, while girls sprinted into the chute and parents cheered and brightly colored ribbons flapped in the breeze.

“Come here right now,” my coach, Mr. Baker, said to me, in a voice I thought only parents were allowed to use.

“I think I’ll take her home,” my mother interrupted.

“Not yet,” Mr. Baker said and pulled me away from my mother, which I remember thinking was impressive. People didn’t say no to her.

When we were alone behind a grand old Illinois oak tree, Mr. Baker asked me why I’d stopped running, why I came walking back, why I gave up.

I told him what I told you. Cramps. Pain. Breath.

“I don’t care if you’re the last girl out there and you crawl in on your hands and knees,” Mr. Baker said. “You don’t ever give up like that, do you understand me?”

“I couldn’t go on,” I said, looking at the electric leaves up in the tree.

Mr. Baker put his hands squarely on my shoulders and looked me directly in the eyes, which nobody had ever done before. (I come from a long line of side-glancers.)

“You can always go on,” he said very seriously.

I don’t know why, but I wanted to wrap my arms around this man. His strength and strange, unwarranted belief in me was what I’d been looking for in members of my family and what members of my family couldn’t give me just then, and here Mr. Baker was, a man I barely knew, a man with the bluest eyes I’d ever seen.

“I wasn’t going to win,” I said, knowing then that that was the real reason I’d quit.

Mr. Baker smiled. “This is the first brave thing I’ve seen you do.”

“What?” I said, beginning to smile, too, though I didn’t know why.

“Tell the truth,” he said, and hugged me so securely I thought I’d turn blue. “You’re a good kid, you know. I think you’re going to be all right.”

(Words that were so wonderful I started to cry.)

***

I don’t know if you can teach someone to have heart or not, but that’s what Mr. Baker did for me that day and that strength of heart is what I’ve carried with me all these years. If a door closes, I find another one to try to open. If ponytails are passing me, I go after them instead of giving myself over to negativity and turning away.

Crossing the finish line, having guts and grit, is what’s important to me. Knowing that I didn’t quit—that I don’t quit—makes me proud, confident, happy.

These days, I’m a writer more than I’m a runner, though I still try to hit the pavement four or five times a week. Writing, I’ve learned, takes the same tenacity, the same hard work and hard-won belief in one’s self. I’ve seen so many talented writers give up, and I want to grab them by the shoulders and look directly in their eyes and tell them what Mr. Baker told me. Keep writing even if you have to crawl on your hands and knees.

My first novel is coming out with a large New York press in April. From the outside, my story looks so easy and breezy and, well, full of beauty. The truth is that I fought for my book every single step of the way. I fought for it when people kept saying no for months and months and months. I fought when they said, “we need to think about sales figures.”

I am fighting for it even now.

And you know what: it probably won’t sell a million copies, I probably won’t be able to quit my job and shop at Whole Foods for herbs and nuts and fish, and I probably won’t wake up and see my name in The New York Times any time soon.

But on April 12th, I’ll be smiling. I promise you that.

Writing a book, finding an agent and an editor, finding my way through all of the no, you can’ts! has been the longest race of my life and I’ll have finally made it to the chute—without fanfare, maybe—but on my own two feet.

(A thought so wonderful I know I will cry.)

***

I haven’t seen Mr. Baker since I was a senior in high school. Is he alive? Is he still coaching running? I don’t know.

That warm September day at the cross-country meet was the beginning of a relationship that changed my life. He taught me about being brave, about being bold, about fighting for what you want and deserve in life. He taught me about nourishing myself in every sense of the word.

He told me about his time in Vietnam, about never giving up even when people around him were dying in muddy rice paddies.

I’ll never forget what he said.

Right before the next cross-country race, Mr. Baker and I exchanged presents, if you can call them that. I gave him my father’s old yellow windbreaker, which he wore to most every meet for the next four years, and he gave me a Semper Fi flag he’d had since the war and which I still keep in my treasure box in the closet.

Whenever I find myself alone on the course now, in the middle of a race that’s even less defined than when I was a teenager, I think of Mr. Baker—those blue eyes and that flag—and I keep going.

I keep hearing him say, have some heart, Rebecca.

Rebecca Rasmussen is the author of the novel The Bird Sisters, forthcoming from Crown Publishers on April 12th, 2011. She lives in St. Louis with her husband and daughter. Visit her at http://www.thebirdsisters.com

Janus

As janus rostrum okretu ciach

Image via Wikipedia

I think it’s fitting that I’m born in the month named for the god of beginnings.

I love change.  I love new ideas, new initiatives.  Which is great when I see that I need to formulate new action plans to get to my desired results.  Not so great when I know the course direction is straight ahead, and the pace is slow and steady.

I’ve been working on my current Work in Progress for some time now.  It was my NaNoWriMo story, and though I’ve only been shaping it since November, I’d been thinking about it for some months before that.  I even thought that I could write one story before November, and write another one for NaNoWriMo.  Easy, breezy.

So, in September, I did attempt to write this story.  And then, 10,000 words later I stopped, feeling too discouraged to continue.

Then, I decided to re-plot this story.

Again.

And, again.

Each time I had a different history.  Different characters.  Different worlds. Different story.

Then, October rolled around, and I decided to plan out my story, scene by scene because this time, I was not only going to start a novel, but also finish one.

And I did.  And I’m happy.  Believe me.

But I’m also tired of it.  I admit it.  I have other random story ideas that I’ve dutifully written down, and have neglected in favor of writing and finishing this one.  I’ve kept my head down, and continued scribbling on the Hot Mess, though the want for something new and shiny is always there, clamoring for attention just outside my consciousness.  (I hear the waves breaking against the shore from the setting of another story as I type this blog.)

I know that I need to continue to do what I know was successful, in order to sustain the change that I want to make in my life.  I need to look behind, to what has passed, for perspective, so that I can look ahead and press on down my path.

But Tell Me: Would pursuing some of those bright, shiny story ideas be such a bad thing at this point? What would YOU do?