Unconquerable

I had a lot of false starts this morning with my writing.  I almost decided to stop and just let it go for tonight, the next day.  Later.  Just, not now.

But then the last two lines of Invictus floated to the forefront of my consciousness, and I couldn’t help but smile:

“I am the master of my fate.

I am the captain of my soul.”

W. E. Henley

Do you know what invictus means in Latin?  Invincible.  Undefeated.  Unconquerable.  I like that.  Makes me feel like though I may be battered and bruise, I still survived the battle.  And, am ready for more.

Invictus is my word for November.  I will own it.  I invite you to do the same.

Have an invictus writing day, my fellow dreamers.

Simplify. Focus. Young Adult Genre

Readers Read Stories

Confession: I don’t understand when I hear people say, “I don’t read that genre.”

I’ve been ridiculously addicted to reading basically my whole entire life.  (Hello, this blog used to be “Reading Makes Me Happy”, and my dusty Blogspot blog still claims the domain name: “readingmakesmehappy .blogspot. com”.)  I was THAT girl. You know, the girl whose parents checked on to see that she was sleeping, and, after they left, she would promptly break out the flashlight and read throughout the night, Never Ending Story style.  Seriously.  Addicted.  Still am.

So, I’ve basically confided some time ago, that I have read and loved stories in every genre.  EVERY genre.  Why?  Because I thoroughly enjoy stories.  Anyone’s stories.  Heck, I will hire anyone who has great stories during an interview.  Why?  Because the person who can entertain me during an interview can entertain future strangers when selling products.  Just sayin’.

Plainly speaking, readers (at least THIS reader) read stories, not genres.  And, a good story is a good story, no matter the genre (end of story).  I do understand that people have a need to label and categorize things into neat, marketable units.  Hence, genres.  But, just because books are organized in a certain way for selling and navigational purposes, doesn’t mean that consumers need to “read” that way.

Genre, What is it Good For?

I appreciate branding for what it is, but the one drawback to it is a misperception of what that brand could be. Same can be said with genres.

Take the Young Adult genre nowadays: whether paranormal, sci fi, or contemporary, 90% of it revolves around high school: classes, relationship dramas, etc.  Because of that, I never thought to seriously write a YA story, because I quite frankly didn’t want to stay in high school when I was there, and so why relive that as an adult?  My high school wasn’t hard, but I always felt like it was an annoying four years holding me back from my real life (I much preferred college.  If I could stay there forever…)

I was more of an observer of high school rather than a true participator.  Sure, I played the game, and was president or officer of at least three different clubs (depending on the year), active in electives, etc, but that’s all it was to me.  A game.  That I played very well.  However, I knew it was just a phase and not Real Life, and so I never really invested much in it.  (Sorry, but I got A’s without even trying.)

I don’t want to say that I was “serious” but I definitely wasn’t the typical 16 year-old I currently see on TV, chasing boys and defying my parents.  In my household, my siblings and I often seamlessly wove theology, art history, and the latest Star Trek episode into an argument about who should get the last bit of sausage and eggs.  That’s just how we rolled. THAT to me was Real Life.  The way I viewed my high school experience then is pretty much how I view my paythebills job now: a great diversion, but just a stepping stone to get me to the next phase of my Life.

Another misperception that I had about YA Lit stemmed from the fact that the characters tend to be right around 16.  From there, I assumed the stories must be flighty and without substance.  (Take a look at what the CW has been playing for the last 5 years, and tell me that I was off base to come to that conclusion.)  But, then I thought to myself, “Dude, I wasn’t flighty and irresponsible at 16.”  That thought led to a series of facepalm moments where I realized that I didn’t have to write about teenagers as portrayed by the CW.   I can write for the young adults that never quite fit in with the other young adults (which, evidently, is EVERY young adult’s story, no matter who you are).

I want to write for the one who unapologetically loves hammy sci-fi, kung fu, action movies;  who is addicted to comic books and anime; who secretly reads torrid romance novels, and cries at sad movies; who wears a three-piece business suit for a class presentation one day, and a ballerina tutu with combat boots and Sailor Moon hair the next.

Basically, I want to write for my 16-year-old self.

And, thinking about my 16 year-old self brought me to the real principle of YA Lit.  It’s not the high school or the agonizing over boys.  Not quite about fitting in or pleasing the parents.  It’s about identity.  The rest of it (high school settings and boy drama)  are just (replaceable) back drops and props in the protagonist’s journey of self-discovery.

Young Adult? Really?

The value of YA Lit, then, that I admire and am attracted to, and one that I always tried to write in my non-YA stories that never fit, is the idea of self-discovery with a sense of wonder.

I have felt that sense of wonder at 16.  I still feel it at 30.  I want to continue believing in and embracing that sense of wonder.

And, that is why, in the (hopefully near) future, I will be proud to bear the title, “Young Adult Author.”

Yes.  Young Adult.  Really.

Flash Fiction: Maxatawny

When Cor hears cows mooing, he knows something’s not quite right.

He opens his eyes.  Blinks once.  Twice.

No, not right at all.

Instead of seeing a smooth shield above him, jagged metal teeth close in on him.  Like something big punched its way through the hull.

The more his eyes focus, the more his panic threatens to rise and boil over.  Is that…a tree?  And a farm on that hillside?  On grass?

Cor swivels his head around to see more, and immediately regrets the sudden movement.  He rests his head back again, and breathes through the nausea.

Where are we? This can’t be Manhattan.  Surely not.  The elders spoke of tall buildings, like the spire from the Capitol City, so tall that the sky reached down to touch them.  Of gray stone and harsh grounds.  They said nothing of cows!

He reaches around the seat in front of him, pushing his pilot to wake.  “Arik.”  Arik doesn’t move.

Cor pushes up against the floor of the pod, gasping at a flash of bright pain from his side.  Quickly clamping his hand onto his side, he uses the other hand to shake Arik even more.  Still nothing.  “By the elder’s eternal mercy, Arik, wake up!  We’re not where we’re supposed to be!”

Gritting his teeth against the pain, he pushes himself away from the crush of metal.  He gripped Arik’s headrest to pull himself up.  Leaning over his seat, he saw a metal shaft from the engine speared into Arik’s body.

Cor scrambles out of the pod and promptly vomits up what little he had in his stomach.  His vision blurs as he wipes the blood off his hand, the puke from his mouth.  Limbs trembling, he slumps down onto the ground, against the pod.  He replays the last few hours he remembers, going through each moment’s briefing like a checklist.

The elders were just told by our allies that the Overlords were moving toward new feeding grounds.  The Overlords sent out signals to potential planets that had the life force to sustain them.  One of those signals found this planet.

The elders feared this world would share the fate of our previous home.  They already started evacuation of the first families chosen to integrate.  The elders sent teams down to find the Overlord’s beacon and perhaps intercept the signal.  The elders narrowed down the signal to Manhattan, and sent teams to find it.

I hope they’re having better luck than me.

Fighting his exhaustion, breathing in shallow gasps, he wrestles in his pocket for his comm.  Maybe he can still do something.  He can’t get very far, but he just needs to be close enough to the signal to alter its message.  He pulls his comm out and punches in his code and identification.  He closes his eyes and waits while it tracks down his coordinates.

The comm beeps his location to him.  “Maxatawny?  What? Where’s that?”  He tries to synch up with any of the other teams, but can’t find them.  He’s too far away to be of any use.  He’s failed.

Frustrated, he tosses the comm away from him.  His whole left side was now soaked in blood.  He chuckles at the pool of red muddying the ground next to him.  It’s only a matter of time now and The Overlords will come and drain this planet dry, just like they did mine.  At least the elders and the allies will escape.  By tonight, they will go and find a new home.  Again.

A light flickers in the distance and cuts through the haze of Cor’s mind.  He struggles to get up.  Maybe another team found the signal.  Maybe it’s going back to the allies above.  Maybe they’ll be able to see me.

A rumbling from deep beneath him buckles and shifts the ground.  He hits the ground hard, seeing stars, nearly passing out.   The vibrant blue sky above him blooms with tinges of a familiar red and black; wisps at first, but creeping outward and darkening the horizon. 

What?  Here?  Now?  The others, he looks around for that cursed comm, they need to know. They need to leave. Now.

He sees the comm glinting at the base of the tree.  He crawls his way toward it while the ground breaks and splits.  Stupid, Stupid, for throwing it away.

Dizzying flashes of a long dead planet play in his vision as he drags himself across the field.   Screams from elders intertwine with the lowing cows in the distance.  The sky phases between blue and flowing lava.  Buildings drowning in tidal flames, shimmer over his pod bobbing by the tree.  Fire, seeking, claiming, consuming dances in and around the roiling grassy fields.  He shakes his head , fighting to focus on here, now.

The earth tilts his way, and he grabs for his comm in a rush of energy.  He pulls it close to him.  His eyes fight to see the screen.  He blinks away the fading light, and focuses on each breath.  Each number.  He types out his message to the elders above.  Each button he pushes screams his silent Go. Go. GoGo!

A final push.  A final exhale.  His arms drop to his sides. His field of vision narrows to pinpoints.  The sky shines gold, flames streak and swirl in the horizon.  Like flocks of birds on fire.

A shadow passes overhead.  A high-pitched whine.  Here.


Inspiration for my first try at flash fiction came from a conversation with twitter user @nataliegallops, and it went something like this:


http://twitter.com/#!/LizaKane/status/27841573707
http://twitter.com/#!/nataliegallops/status/27841809209
http://twitter.com/#!/LizaKane/status/27841894242
http://twitter.com/#!/nataliegallops/status/27842466321
http://twitter.com/#!/LizaKane/status/27842976192
http://twitter.com/#!/nataliegallops/status/27843399416
http://twitter.com/#!/LizaKane/status/27843733041

And thus, a story was born.  Oh, and the picture of the farm also kinda sealed the deal 😉