Tag: Editing

Writing from a Salesperson’s Perspective

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Confession: I don’t understand why some writers are so fixated on getting an agent that they rush to query with an unfinished or sub-par manuscript. I would think that they would take the time to ensure that their manuscript is sellable from the query stage.

And no. I’m not talking about genre trends or marketability or writing a book just because you know or feel or think it’s something that can sell.

I’m going after something more basic (and honestly, common sensical, so please bear with me), namely querying agents with a great story, written with the cleanest copy possible (read: no typos or other editing errors).

I’ve worked in sales for at least ten years, and based on the amount of companies that have wanted to recruit me, hire me, and/or promote me, I think I’m a pretty good salesperson. I’m not saying I’m the best salesperson around or the hardest worker (though I am kind of a workaholic). But, I think where I excel is that when I love something I don’t need anyone to tell me to sell it. I will talk up a product because I honestly enjoy it, or it was beneficial to me in some way, and I want to share that joy and benefit with others.

Even if you’re not a sales person, you know what I mean right? It’s essentially word of mouth advertising/referrals. We all have an opinion of who makes The Best Pizza or The Best Burger, or which company has The Best Customer Service. I mean, I’ve never worked for AT&T or Apple, but I tell everyone who’ll listen to me how much I love my iPhone 4 (The Preciousss), and how it changed my life. (Caveat: I use my iPhone as a palm-sized computer, and rarely use it as a phone.) (Seriously. Life changer).

In the same way that I need to love and believe in a product in order to sell it (at least, sell it well), an agent will need that same kind of love and belief in your story.

I know that getting an agent is something that aspiring authors imagine or daydream about. I get it. It’s one step closer to being a traditionally published author.

But, why rush the process, especially if you haven’t finished your manuscript, let alone edited it till your eyes and fingers bleed, and your crit partners want to kill you? It’s still only one step. There are many, many more after that, not the least of which is SELLING YOUR STORY.

Even if you manage to land an agent with a sub-par manuscript, your agent will still need to sell the manuscript that you are querying to him or her. After all, that’s how they will get paid. So then, what help can a sub-par manuscript be at this point? You’ll still need to fix it, edit it, rewrite it before it can sell. You might as well do your best work now, before you ruin your chance of a great first impression. (I won’t bother mentioning that even if an editor is sold on your sub-par manuscript, that he or she will still need to pitch it to the purse strings of the publishing house, who will decide whether or not to proceed with an offer.)

Put in another way, if YOU were an agent, and YOU see a manuscript that still needs LOTS of work, would that be something YOU would want to work through and wait for and maybe hope to sell? Would YOU be willing to bet your source of income on it?

If I essentially worked commissioned sales, I would back the product that I could sell quickly and efficiently. If I were the agent in that scenario, I would look at the sub-par manuscript and see that it will NOT sell quickly because I would need to wait on rewrites and revisions and a possibly hostile writer who may not be open to my suggestions for edits, since the writer clearly didn’t see the need to edit in the first place, otherwise why did he or she submit a sub-par manuscript to me?

As a salesperson, I sell things that I love, that I believe in, that I’m passionate about. When you submit your work to a potential agent, you are asking them to believe in it, to love it, to be passionate about it enough to sell it.

So, please. Take this time to write the best story you can, in the cleanest copy possible. Don’t be in such a rush to query. Don’t stress out so much about finding an awesome agent. Focus on writing an awesome story that an agent would feel privileged to represent. A story that makes them feel like they are holding the book equivalent of an iPhone.

When you have that, then feel free to query your favorite agents, and be giddy over the waiting game. I’ll even supply the chocolates.

This is my strategy. What about you? What are your thoughts or perspectives on the querying process?

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Thursday Thoughts: Just Get It Written

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Fumbling Toward The End: The Reveal*

(*an actual “scene title” in my Scrivener App.)

Start as close to the end as possible.

–Kurt Vonnegut

So, I’m kind of in this little writing challenge that happens each November.  As a way to grow The Novel’s word counts and keep it interesting for me, I decided to dedicate my kamikaze-do-or-die writing days to the second half of The Novel.  My purpose for my kamikaze writing days (other than the fact that I needed to be realistic with my schedule since I work in retail for my FT AND PT paythebills jobs in the heart of the holiday season)?  So that I can race along to the finish, and then go back to the first half of The Novel and fatten up those scenes.  I’ve said this before, but success breeds success, and the more “wins” I can achieve, the more motivating it is for me to continue.

In these mad sprints to glory, I’ve realized a few things.  First, I have completely drowned out my Internal Editor and sent her packing to live with my closet trolls.  (Take that Internal Editor! Chew on some socks, and last year’s belts!)  Second, that in focusing on the end, I have a clearer grasp of my beginning.

Method Behind the Madness

When I tell some people that I aim to write 5,000, 7,000, even 10,000 words in a day, I sometimes get asked: “Is your story even coherent with that volume of writing?”  The answer: Yes; in a way.  It is to me.  Since I plotted, outlined and pretty much pre-planned The Novel scene by scene.  Is it anywhere close to being published?  Of course not!  I write better quality e-mails than this Story-As-Is.  I definitely wouldn’t send this drivel to any crit partners or beta readers.

Do I care?  No.

Because that’s the point of this beautiful, awesome thing called “NaNoWriMo” and my kamikaze-do-or-die writing days: I don’t have to get it anywhere close to perfect.  I just need to get it written.  THEN, the real work of revising, editing, polishing The Novel to the point where EVERYONE can actually read and understand it will come to play.  THAT is when I will beg and plead other writers to beta read, critique, and otherwise rip my work to shreds (but nicely, and with purple ink, rather than red please).

I don’t dwell on the fact that The-Novel-So-Far has  shifting points of views, perspectives, and a LOT of telling and not showing in the efforts to just get the story down and written.  Believe me, I’ll still go back and get to those points.  (I mean, there’s at least 20,000 words waiting to be born back there that I can add to my word counts 😉 ).  The value of them to me is just the idea that they exist.  Those words are already there, and all I need to do is tweak them.  This thought allows me to Just. Keep. Writing.  And really, as a beginning writer, that’s what I need.  Good habits.  Momentum. Progress in the right direction.  Writing a story straight through till The End seems like the right direction to me.

Little Darlings

I know that Faulkner said that writers ought to kill their little darlings, but I choose to categorize that little bit of advice to the “Revision” process rather than the “Just Get It Written” process.  I love reveling in the random phrases and words that my fingers type up so quickly, my mind wasn’t even conscious of it.  Besides, the Little Darlings need to get written first before we can kill them and give birth to True Genius (*cue angelic choir music*).  At least, that’s how I look at it.

In these sprints, I’m able to get to the heart of the matter.  Capture more essential, urgent things.  Hear more random tidbits and snippets that I don’t even realize I’m writing.

She laughed again. I need to stop being so hilarious to this woman. She’s starting to piss me off.

–A random line that I didn’t even know I’d written until after my break.  I don’t even use “piss” in daily speech.  Silly muses.

And, in the heat of the moment, I discover more intensity from my characters, my worlds, my words, that I wouldn’t have had I been plodding along.

Of course, there’s a time, place, and purpose for everything.  Do I do these mad dashes all the time? No.  I think I would crash and burn after not too long.  I believe in balance.  But, in the spirit of the challenge, in the spirit of motivation, and in the spirit of my compulsive need to reach all of my goals, I think these mad dashes bring me the most peace.  It affirms to me that when push comes to shove, I have the discipline needed to make writing my lifelong career.

I know that I can be good, even great, in a variety of roles.  But, stories…they are my passion, and I would love to see the day when my passion and paythebills worlds align.

Just keep writing, fellow dreamers.